Resources

Learn how to make a book with I/O Color.

Contents


Overview

Download a PDF of this diagram here. Timelines are approximate.
Map showing the workflow timeline of an I O Color project

1. Files to I/O

After an initial discussion to establish project goals, files are sent to I/O Color. Final specs are used to generate an accurate quote for estimated prepress, printing, and shipping costs.

What files do I need for my book?

Final packaged InDesign files, linking to hires images and fonts.

For more detailed information, read our File Delivery Specifications below.

2. Prepress

Files are profiled according to project specs and a set of Epson proofs is created for each image in the book. Clients review, mark, and approve color proofs, going through as many rounds of corrections as needed.

✓ Color Approved

Why is prepress important?

The approved Epson proofs are sent to the printer to use as a color guide while on press, ensuring images are reproduced as accurately as possible.

3. Printing & Binding

Print ready files and the approved proofs are sent to the printer.  A low resolution printed proof of the book is created and sent for approval before proceeding to print the full run of books.

✓ plotter approved


Once printing has been completed the folded, collated, and trimmed sheets (F&Gs) are sent out for final review and approval to bind.

✓ F&Gs Approved

4. Shipping

Completed books are either shipped by air directly from the factory or transferred to a freight forwarder who manages the bulk shipment via ocean freight through final delivery.

✓ Bound sample approved

1. Design

Project Launch

Client delivers:
  • Manuscript sent to editor and LM
  • Sample materials sent to designer

After an initial meeting to establish a stylistic direction, a design presentation will be developed and shared.

LM delivers:
  • Design presentation (print + PDF)
  • Design revisions (PDF)

✓ Design Approved

What is Design Approval?

The design is considered approved when the book’s size and general style are confirmed. This includes what typefaces are used for display and text type, the structure and margins of the page, and defining how images and unique elements are to be treated.

Client delivers:
  • Final images sent to LM
  • Edited manuscript sent to LM

2. Layout

After the design is approved, the text is typeset and the images are placed to complete the layout.

LM delivers:
  • Layout presentation (PDF)
  • Layout revisions (PDF)

✓ Layout Approved

What is Layout Approval?

The layout is considered approved when all the text is accounted for and the images are all placed and sized correctly. Text should not be proofread before layout is approved.

LM delivers:
  • First text proofs sent out
  • First color proofs sent out

3. Proofing

3a. Color

After the layout is approved, the colorcan be evaluated and adjusted. Color and text are proofed at the same time, in parallel.

What to expect during color proofing:
  • You’ll have 3 rounds to review the entire book and make color changes.
  • This is the time to adjust tones, contrast, and clean up images.
  • Ignore the text on the color proofs

✓ Color Approved


3b. Text

After the layout is approved, the text can be proofread and corrected. Text and color are proofed at the same time, in parallel.

What to expect during text proofing:
  • You’ll have 3 rounds to review the entire book and make text changes.
  • This is the time to mark typos, widows/orphans, and bad breaks.
  • Ignore the color on the text proofs

✓ Text Approved

4. Printing & Shipping

LM delivers:
  • Final PDF of interior andcover sent out for review

✓ Final Review

After all proofs are approved and the final review, files are sent to the printer and the book is shipped.

What to expect during printing:
  • Plotters: a low-quality confirmation that all elements are included
  • F&Gs: folded and gathered signatures of the actual printing
  • Cover materials and samples
  • Advance copies of the book

File Delivery Specifications

Please use the following guidelines when submitting your files to I/O Color. Download a PDF of these guidelines here.

File Set-up

  • Please deliver packaged InDesign layout files, including links and fonts.
  • Book interior layout file(s) built in sequential facing pages at trim size with 0.125 inch (3mm) bleed.
  • Images should be supplied in ICC tagged RGB, ideally with a resolution of 400ppi or better at layout size.
  • Neutral B&W images supplied in grayscale 8/16 bits per channel and tagged with Dot Gain 20%.
  • Logos and line art supplied at a minimum of 1200 ppi.

TIPS

  • If you aren't sure how to properly tag your images, they can be left in their original color space and file format.
  • Please go easy on image sharpening - we print higher resolution than a traditional halftone printer.
  • Book interior, endsheets, cover, jacket, etc. are each built as separate InDesign files.
  • Cover files (jacket, case, etc.) can be built to general specifications; these will be finalized after file delivery if an accurate template is not initially available.

Delivery


Glossary

A non-comprehensive list of terms you may encounter when working with I/O Color.

CMYK: The four standard inks used in a color printing press: (c)yan, (m)agenta, (y)ellow, and blac(k).

co-publication: A publishing agreement wherein a publisher purchases copies of a book up front, typically paying 20 to 25 percent of the retail price.

colophon: A statement containing information about a book’s materials and production, such as the name and location of the printer and the paper type and typefaces used. This may appear on a separate page of the book, or be included on the copyright page.

color proofs: Printouts of book pages in full color that approximate how each page will look in the final book on the chosen paper. Color proofs are reviewed to determine necessary image adjustments.

copyright page: The page that includes a book’s publication information, printing history, cataloging data, ISBN, and copyright notice. US Customs requires books to include the country of manufacture.

design: The general style of representative elements in a book, such as text and display typefaces and sizes, margins and page structures, and other unique aspects or decorative devices that allow for the layout to be developed.

distribution: An agreement wherein a book distributor or publisher takes a title on a consignment basis to make it available to the book trade. The publisher pays roughly 25 percent of the retail price in single annual payments.

endpapers/endsheets: A decorative leaf of paper at the beginning and end of a book, usually fixed to the inside of the cover to help hold the interior pages in place.

fifth color: An ink added to the press above and beyond the usual four (see CMYK), typically custom mixed for each use. Metallic, fluorescent, and other specialty inks are printed this way.

flexibind: A type of binding with a flexible cover that is thicker and more durable than a typical paperback.

folio: The page number printed on the page. This term can also refer to the format and size of a book.

font vs. typeface: A typeface is a specific overall design of type, while a font is a singular style within that design. Helvetica Bold Condensed is a font; Helvetica is a typeface.

gutter: The adjacent inner margins of facing pages when a book is open. Gutter can also refer to the space between columns of type.

half-title page: The first page of a book. Generally, only the main title of the book is printed on the half-title page.

head and tail bands: Narrow bands of cloth that hide and protect the glued top and bottom of the book block at the spine.

leading: The vertical space between lines of text; also called line spacing.

paper cut-off date: The date by which the printer needs to order paper and other materials for the book, and therefore the date when the full print run should be finalized.

PLC: Printed and laminated case; often a hardcover with no jacket.

plotter proof (sometimes called an ozalid or blueline): A rough printout of the entire book provided by the printer for an ultimate review of the book.

recto/verso: When looking at a two-page book spread, the recto is the page on the right and the verso is the page on the left.

signature: A printed sheet after being folded to form a group of pages which are then bound together. All signatures contain page counts in multiples of four.

spread: Two pages of a book (a recto and a verso) viewed side by side.

tip-in (interior): A page or pages manually placed and glued into the book.

tip-on (cover): A piece of paper smaller than the cover, glued in place.

title page: The first right-hand page at the beginning of a book, following the half-title page. The title page shows the title and subtitle of the book, the editor and author’s names, and the publisher’s name and location.